Composition
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Corner to corner
Recently we went to the North of England for a short break. One place we stayed at was Halifax, and the Piece Hall was a highlight. If you are anywhere near, just go there. It’s fabulous! A stereotype of the North is that the streets are cobbled. Well, some are of course and the textures they produce in the sunshine are irresistible subjects. This cobbled Halifax street cried out for a low angle image, and I used the image frame corners to help with the composition. I am a big fan of using frame corners. The Ashton Memorial in Lancaster is also a fascinating place to visit. It dominates the…
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Hay unstacked
Yesterday afternoon I had a wander round Hay-on-Wye prior to giving my “Close-up and Macro Photography” talk to the local camera club. Hay is a very attractive town, and has the world-famous Hay Festival every year. Hay is well worth a visit. Being me, I was on the lookout for the curious corners and quirky bits, rather than the tourist views. Here’s a bunch of those fairly useless stirring sticks you get at some coffee places. They were just lying on the pavement. I thought the found arrangement had a sort of Zen look to it. A quick edit in Snapseed to boost the contrast and edit out a couple…
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November randomness in red and blue.
It being November, it’s compulsory for UK photographers to take and then post a fireworks image. This one’s taken using “Live Composite” mode on one of my Olympus cameras. I set the base exposure to 1/2 second, and then left the camera to take quite a few images whilst I gently moved the camera around. It makes the firework look much more impressive than it was. On a recent visit to Birmingham I popped in to the “Victorian Radicals” show at the Art Gallery. As well as having paintings by the Pre-Raphaelites, there were some textiles and wallpapers by William Morris. One was in a frame behind glass and other…
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Pick up a penguin.
There is a sculpture trail in Worcester at present. It’s called the “Worcester Waddle” and consists of lots of penguins that have been painted in imaginative ways. It’s to raise money for St. Richard’s Hospice, and there will be an auction of the penguins later in the year. The auction of the previous sculptures, of elephants, raised a lot of money. One went for £36,000! One of the penguins represents a tourist, and it has a camera painted on it. Being a photographer I had to record the camera. I know that’s a bit meta, but there we go. It’s interesting seeing the juxtaposition of the penguins and the people…
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Architecture – getting smaller, then more poignant
Photographing architecture can be a matter of recording the whole building in its context, showing how it interacts with the land around it. It can also be about showing the smaller things, such as a part of the building, but also what happens to buildings once their original purpose has gone. The film director Wes Anderson has a thing for symmetry. OK, this image doesn’t show his pastel colour palette, being black and white, but the symmetry is there. It’s the 1896 Conservatory in Wolverhampton’s West Park, and I’ve used the Panorama setting on my Pixel 7a to record that symmetry. The technique makes the front of the Conservatory appear…
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May miscellany
No real theme this time, though you could argue it’s a people picture sequence that goes; close-up, full length, multiple figures. The close-up is of a person’s eye shot with my super useful Bauhn clip-on mobile phone macro lens. The lens has a built-in ring light, so it’s great for adding light to areas when the phone shadows the available light. I like the reflection of their eyelashes in their cornea. This is a bit of street photography in the delightful Pitville, a part of Cheltenham. This Barbie mural on the side of a building in Pitville Park, was really long. It’s a bit of an odd subject, as it’s…
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Signs of the previous Leap Year.
OK, so 2020 was the previous leap year, and we all know what started happening then. Those days though are already starting to seem like another world; one with real restrictions and real fear. One thing that happened in the UK during the Covid epidemic and lockdown was the sudden proliferation of signs telling us how we should behave. Lots of those have completely gone now, and I think it’s important that the traces of those remaining are recorded. To that end I am making sure I photograph Covid signs whenever I come across them. This is on a bus shelter in Ledbury, Herefordshire. It’s a plastic film telling us…
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Focus on your focus
Cameras these days are like science fiction devices compared to when I first started taking pictures. Back then everything was manual; setting the exposure, focusing, film winding. Now we have all these wonderful automatic tools at our disposal, and auto focus has come on in leaps and bounds since the first, rather clunky, iterations. That does not mean that it’s foolproof, nor does it mean that you should just let it do its work without any input from you. Here are three examples of different focus issues. Some auto focus systems need edge contrast to do their job, and when there’s not much edge contrast they can hunt around for…
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Through a glass darkly
I have a “deceptive” glass in my small collection of interesting glasses. A deceptive glass has very thick sidewalls, and thus holds much less liquid than it appears to when filled. In Georgian times coaching inns had them. A coach would stop, passengers would rush in for a quick drink and be given it in a deceptive glass. They paid for a full normal glassful of course! I looked at the glass with its thick walls and thought, “That might act as a lens”! My camera was fitted with the Oly 60mm macro lens, so I just held the glass up against the UV filter on the front of that…
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Autumn Acer Abstracts
Recently I went to the fabulous Autumn Garden at Queenswood Country Park near Hereford. One feature of that part of the wood is the Japanese Maples. They were in full colour and looked fantastic. It was a sunshine and showers day, so there were lots of water droplets around. I had my Olympus macro lens on, so set my camera to manual focus and defocussed the image. I concentrated on a small part of a maple that had dissected leaves. The shapes and colours of the leaves, and the water droplet highlights, made for a very pleasing abstract composition. I had my trusty Huawei mobile with me and couldn’t resist…