Landscape
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I’m very adaptable
I recently bought a Pentax 110 SLR camera and a selection of Pentax 110 lenses*. The camera was made in the late 70s/early 80s, and was advertised as the world’s smallest interchangeable lens SLR system. It was made for the 110 film size and 110 negatives are almost exactly the same size as the Four Thirds sensor in my Micro Four Thirds (MFT) cameras. This means that the lenses behave on MFT cameras just as they would on the original Pentax 110 body. All you need is a £20 Pentax 110 to MFT adapter. The lenses are all f2.8 aperture, are very small indeed! Here’s the 24mm lens, the smallest,…
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Gorgeous Gower always delivers
A week or so back I took a trip to Gower in South Wales. It’s a fantastic place, with very varied landscape and lots of wildlife. I took one of my OM bodies and a couple of lenses, but never used them. All these images were shot on my Google Pixel phone and edited in Snapseed. Rhosilli beach is a favourite place; it’s been voted as one of the best beaches in the world. I spotted a cool bit of driftwood and got low down and close to it. The wide aperture of my Pixel’s lens meant that only one bit of the foreground wood was in focus. The B&W…
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Pixel-lated water
Like most people these days, the camera I carry about with me all the time is the camera that’s part of my mobile phone. I’ve got a Google Pixel mobile, and it’s got an excellent camera and camera software. One feature I like is the Long Exposure mode. It’s not as good for long exposure as my Huawei Mate phone was, with its fabulous “Silky Water” mode, but within its limits it gives great results. The trick is to keep the dot inside the circle! That tells you you’ve kept the camera still enough. These three images of moving water were taken using Long Exposure mode. I rested my hand…
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Parys in the the Autumn
The post title is riffing on the famous visual trick: “Paris in the the Spring”, where “the” appears twice on separate lines, and many folks just read out “Paris in the Spring”. Anyway, this Parys is Parys Mountain on the lovely island of Anglesey in North Wales, and I was there last week. It’s an abandoned copper mine that was, at one point, the largest copper mine in the world. It’s an almost Martian landscape of colours and textures. One standout feature is the huge opencast pit, “The Great Opencast”, with the remnants of a wind-powered pump at the top. It’s a barren landscape in ochres and browns. The pump…
- Abstract, Architecture, Black & White, Bokeh, Composition, Creative Photography, Fine Art, ICM, Landscape, Macro, Mobile, Movement, Snapseed
Worcestershire Open Studios is nearly here!
The final preparation for this weekend’s opening of my exhibition as part of Worcestershire Open Studios (WoS) is pretty well done! Images are up, lights are installed and tested, mounted prints are in their display boxes, greetings cards are sorted, and signage is all done. Even the sun is getting in on the act and saying, “Here’s where you need to come to”! If you follow the directions that are found here, you should see a house like this one – only the right way up! There will be signs and green bunting to help you find it. This one of the key images in my exhibition. If you want…
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Water, water, everywhere…
I recently judged a club photographic competition that had a relatively small entry. This meant that there was quite a bit of time to fill after the judging, so I offered to do a short, 1 hour, talk. I chose the subject of “Capturing water in camera”, as water seems to be something I take lots of images of. Water has so many forms; solid, liquid and vapour, and can be static or moving, deep or shallow, and it often does a fine job of reflecting what’s around it. In this case it was the harbour at Swanage in Dorset. There was a fabulous sunset, and the red was reflected…
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Textures of Gower
Just had a week down in wonderful Gower, South Wales. It’s got fabulous coastal scenery, wildlife*, and a really wide range of habitats. Being me, as well as enjoying those things I was on the look out for textures and patterns; I found some too. The bus to Rhossili from Swansea has a turning area near the church. It couldn’t really go much further without driving into the sea. There’s a bus shelter there and someone, or something, must have hit the roof of it quite hard as the reinforced glass was shattered. There was a fab pattern of random cracks overlaying the internal wires. A quick move to…
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It’s all about the light direction.
When you see a potential photographic subject it’s worth looking all round it to see how it’s affected by the changed in light direction. It can make a huge difference. Take this large dandelion sculpture in a fabulous Gloucestershire garden. I chose a viewpoint where it was lit by the sun from directly behind. It gave a lovely silhouetted contrast to the seed head “parachutes”. I had only just found it, and would have preferred to have been there an hour or so before, so that I could have got the edge of the seed heads away from the background trees on the right-hand side. I was just leaving another…
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Architecture – getting smaller, then more poignant
Photographing architecture can be a matter of recording the whole building in its context, showing how it interacts with the land around it. It can also be about showing the smaller things, such as a part of the building, but also what happens to buildings once their original purpose has gone. The film director Wes Anderson has a thing for symmetry. OK, this image doesn’t show his pastel colour palette, being black and white, but the symmetry is there. It’s the 1896 Conservatory in Wolverhampton’s West Park, and I’ve used the Panorama setting on my Pixel 7a to record that symmetry. The technique makes the front of the Conservatory appear…
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Focus on your focus
Cameras these days are like science fiction devices compared to when I first started taking pictures. Back then everything was manual; setting the exposure, focusing, film winding. Now we have all these wonderful automatic tools at our disposal, and auto focus has come on in leaps and bounds since the first, rather clunky, iterations. That does not mean that it’s foolproof, nor does it mean that you should just let it do its work without any input from you. Here are three examples of different focus issues. Some auto focus systems need edge contrast to do their job, and when there’s not much edge contrast they can hunt around for…