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Kelpies!
Because we were weather-delayed flying to Shetland we had a couple of days to fill. Some of that time was spent with a trip to see “The Kelpies”. Kelpies are mythical shape-shifting water horses inhabiting lochs in Scottish folklore. These Kelpies are a pair of monumental steel horse-heads between the Scottish towns of Falkirk and Grangemouth. The sculptures were designed by sculptor Andy Scott and were completed in October 2013. They stand next to the M9 motorway and form the eastern gateway of the Forth and Clyde Canal, which meets the River Carron here. Each head is 30 metres high and weighs 300 tonnes. They are positioned either side of…
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Christmas greetings
Hey, it’s that time of the year again. The time where we celebrate with friends and family and reflect on our photographic achievements over the last 12 months. Reflect is such a good word, as this image is of some Christmas lights reflected in a water feature in Bristol. I wandered round Millennium Square yesterday evening before going to a performance of Handel’s Messiah at St George’s Hall. I had my trusty Panasonic TZ-100 compact camera with me, and it was perfect for unobtrusively capturing the colours and falling water. A friend gave us us a home-made Christmas decoration. It was made from an old CD, and it had holographic…
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Helios – and a sunflower
A few weeks ago we went to to Coventry to see the Helios art installation. To quote from the National Trust’s website, “Helios, a seven-metre sculpture of the Sun, has been created by artist, Luke Jerram. It’s been made from 400,000 photographs of the Sun’s surface and observations by NASA to replicate swirling solar winds and sunspots.” This installation was outside in the garden of Charterhouse, Coventry, and it was fascinating to see how people interacted with it. I used the wide-angle lens on my Pixel phone to get a good view of the differences between those who chose the sun and those who chose the shade. There’s a bit…
- Abstract, Architecture, Black & White, Bokeh, Composition, Creative Photography, Fine Art, ICM, Landscape, Macro, Mobile, Movement, Snapseed
Worcestershire Open Studios is nearly here!
The final preparation for this weekend’s opening of my exhibition as part of Worcestershire Open Studios (WoS) is pretty well done! Images are up, lights are installed and tested, mounted prints are in their display boxes, greetings cards are sorted, and signage is all done. Even the sun is getting in on the act and saying, “Here’s where you need to come to”! If you follow the directions that are found here, you should see a house like this one – only the right way up! There will be signs and green bunting to help you find it. This one of the key images in my exhibition. If you want…
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Corner to corner
Recently we went to the North of England for a short break. One place we stayed at was Halifax, and the Piece Hall was a highlight. If you are anywhere near, just go there. It’s fabulous! A stereotype of the North is that the streets are cobbled. Well, some are of course and the textures they produce in the sunshine are irresistible subjects. This cobbled Halifax street cried out for a low angle image, and I used the image frame corners to help with the composition. I am a big fan of using frame corners. The Ashton Memorial in Lancaster is also a fascinating place to visit. It dominates the…
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Textures of Gower
Just had a week down in wonderful Gower, South Wales. It’s got fabulous coastal scenery, wildlife*, and a really wide range of habitats. Being me, as well as enjoying those things I was on the look out for textures and patterns; I found some too. The bus to Rhossili from Swansea has a turning area near the church. It couldn’t really go much further without driving into the sea. There’s a bus shelter there and someone, or something, must have hit the roof of it quite hard as the reinforced glass was shattered. There was a fab pattern of random cracks overlaying the internal wires. A quick move to…
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Architecture – getting smaller, then more poignant
Photographing architecture can be a matter of recording the whole building in its context, showing how it interacts with the land around it. It can also be about showing the smaller things, such as a part of the building, but also what happens to buildings once their original purpose has gone. The film director Wes Anderson has a thing for symmetry. OK, this image doesn’t show his pastel colour palette, being black and white, but the symmetry is there. It’s the 1896 Conservatory in Wolverhampton’s West Park, and I’ve used the Panorama setting on my Pixel 7a to record that symmetry. The technique makes the front of the Conservatory appear…
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May miscellany
No real theme this time, though you could argue it’s a people picture sequence that goes; close-up, full length, multiple figures. The close-up is of a person’s eye shot with my super useful Bauhn clip-on mobile phone macro lens. The lens has a built-in ring light, so it’s great for adding light to areas when the phone shadows the available light. I like the reflection of their eyelashes in their cornea. This is a bit of street photography in the delightful Pitville, a part of Cheltenham. This Barbie mural on the side of a building in Pitville Park, was really long. It’s a bit of an odd subject, as it’s…
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Signs of the previous Leap Year.
OK, so 2020 was the previous leap year, and we all know what started happening then. Those days though are already starting to seem like another world; one with real restrictions and real fear. One thing that happened in the UK during the Covid epidemic and lockdown was the sudden proliferation of signs telling us how we should behave. Lots of those have completely gone now, and I think it’s important that the traces of those remaining are recorded. To that end I am making sure I photograph Covid signs whenever I come across them. This is on a bus shelter in Ledbury, Herefordshire. It’s a plastic film telling us…
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Reflections on a trip to Birmingham
Living in Worcester means I am not too far from Birmingham. It’s just half an hour on the train from Worcestershire Parkway to Birmingham New Street. That station has a lot of glass panels all over it, and they make for a useful source of reflection images. I was lucky enough to be there on a cloudless day with lots of sunshine. The colours of the surrounding buildings against the blue of the sky were fabulous. Isolating just a small section of the reflection made the image into an almost painterly abstract. Above one of the entrances there’s another lot of glass panels, and the sunshine gave strong shadows. The…