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Gorgeous Gower always delivers
A week or so back I took a trip to Gower in South Wales. It’s a fantastic place, with very varied landscape and lots of wildlife. I took one of my OM bodies and a couple of lenses, but never used them. All these images were shot on my Google Pixel phone and edited in Snapseed. Rhosilli beach is a favourite place; it’s been voted as one of the best beaches in the world. I spotted a cool bit of driftwood and got low down and close to it. The wide aperture of my Pixel’s lens meant that only one bit of the foreground wood was in focus. The B&W…
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Parys in the the Autumn
The post title is riffing on the famous visual trick: “Paris in the the Spring”, where “the” appears twice on separate lines, and many folks just read out “Paris in the Spring”. Anyway, this Parys is Parys Mountain on the lovely island of Anglesey in North Wales, and I was there last week. It’s an abandoned copper mine that was, at one point, the largest copper mine in the world. It’s an almost Martian landscape of colours and textures. One standout feature is the huge opencast pit, “The Great Opencast”, with the remnants of a wind-powered pump at the top. It’s a barren landscape in ochres and browns. The pump…
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The Eye of Sauron!
A couple of days ago I made a trip to Upton Warren nature reserve near Droitwich. It’s a haven for birds, including Avocets. There were some very obliging Reed Warblers that posed for my OM Systems 100-400m lens, but they won’t be featured here. I was looking for non-typical nature reserve images. The first is the Eye of Sauron in grass! Whilst this looks like a small-scale Andy Goldsworthy work, it was completely natural. Somehow the cobwebs have joined it into a cool eye shape. Using my 100-400 enabled me to throw the background out of focus, and the bit of debris on the background leaf rendered nicely as the…
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Water, water, everywhere…
I recently judged a club photographic competition that had a relatively small entry. This meant that there was quite a bit of time to fill after the judging, so I offered to do a short, 1 hour, talk. I chose the subject of “Capturing water in camera”, as water seems to be something I take lots of images of. Water has so many forms; solid, liquid and vapour, and can be static or moving, deep or shallow, and it often does a fine job of reflecting what’s around it. In this case it was the harbour at Swanage in Dorset. There was a fabulous sunset, and the red was reflected…
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It’s all about the light direction.
When you see a potential photographic subject it’s worth looking all round it to see how it’s affected by the changed in light direction. It can make a huge difference. Take this large dandelion sculpture in a fabulous Gloucestershire garden. I chose a viewpoint where it was lit by the sun from directly behind. It gave a lovely silhouetted contrast to the seed head “parachutes”. I had only just found it, and would have preferred to have been there an hour or so before, so that I could have got the edge of the seed heads away from the background trees on the right-hand side. I was just leaving another…
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Architecture – getting smaller, then more poignant
Photographing architecture can be a matter of recording the whole building in its context, showing how it interacts with the land around it. It can also be about showing the smaller things, such as a part of the building, but also what happens to buildings once their original purpose has gone. The film director Wes Anderson has a thing for symmetry. OK, this image doesn’t show his pastel colour palette, being black and white, but the symmetry is there. It’s the 1896 Conservatory in Wolverhampton’s West Park, and I’ve used the Panorama setting on my Pixel 7a to record that symmetry. The technique makes the front of the Conservatory appear…
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Focus on your focus
Cameras these days are like science fiction devices compared to when I first started taking pictures. Back then everything was manual; setting the exposure, focusing, film winding. Now we have all these wonderful automatic tools at our disposal, and auto focus has come on in leaps and bounds since the first, rather clunky, iterations. That does not mean that it’s foolproof, nor does it mean that you should just let it do its work without any input from you. Here are three examples of different focus issues. Some auto focus systems need edge contrast to do their job, and when there’s not much edge contrast they can hunt around for…
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Landscapes are better in bad weather
Living, as I now do, in Worcester, the Malverns Hills are now a local place to visit. Although they are called hills, some of the peaks are high enough to be classified as mountains. Once such is Herefordshire Beacon at 1109 feet above sea level. It’s the site of British Camp, a huge Iron Age earthwork complex. The earthworks give a curious silhouette to the hill, and it looks very man-made. The views from the Malvern Hills are wonderful. Elizabethan diarist John Evelyn called it “one of the godliest vistas in England”. There are three cathedrals visible on a good day, but it doesn’t always have be a good day.…
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Just look around you.
As we move into the darker and colder days of winter it’s easy to fall into bad habits and stop looking for images, or say, “It’s all a bit grey, so I’ll leave my camera at home”! Remember though, even if you don’t go out much, there are still loads of photographic subjects, some even right at your feet. One birthday gift I had was a fabulous cheese selection with vintage port and an olive wood cheese board. The wood looks to have been “spalted”. That’s where it’s been attacked by fungi and developed fascinating patterns in the grain. I looked closely at the wood and found areas that resembled…
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Same subject, different views.
On a trip to Pembrokeshire one landscape feature really stood out. It was the Valero oil refinery at Pembroke. It was tempting, in a landscape that has fabulous coastal scenery, to ignore it as a photographic subject, but it’s such a prominent feature it’s worth a closer look. Looking at it from the Angle peninsular the refinery stood out against a cloudy sky. It had nice directional lighting from the right hand top side. I isolated it using a 150mm telephoto lens, which has added some perpective compression. A bit of HDR treatment and a B&W conversion gave a moody look. From the summit of the highest point in the…