Movement
-
Welcome to 2025!
Firstly, HAPPY NEW YEAR! I know we are nearly a week into the new year, but it needed to be said. One of the photographic highlights of the Christmas period was the Christmas Tree Festival at Worcester Cathedral. It’s a fabulous display of lots and lots of Christmas tree decorated by loads of different organisations. There are, of course, lots of tree lights to be played with. Here I’ve chosen a tree that had lots of lights on and used OM System’s “Live Composite” mode set on a 1/2 second base exposure. I rotated the camera in a circle during the exposure. There are some interesting colours and shapes, and…
-
November randomness in red and blue.
It being November, it’s compulsory for UK photographers to take and then post a fireworks image. This one’s taken using “Live Composite” mode on one of my Olympus cameras. I set the base exposure to 1/2 second, and then left the camera to take quite a few images whilst I gently moved the camera around. It makes the firework look much more impressive than it was. On a recent visit to Birmingham I popped in to the “Victorian Radicals” show at the Art Gallery. As well as having paintings by the Pre-Raphaelites, there were some textiles and wallpapers by William Morris. One was in a frame behind glass and other…
-
Macro musings – Part the Second
I’ve recently purchased a Cygnustech flash diffuser to help with my macro photography. It came from Australia pretty quickly, and was custom-made for my flash, lens, and camera body setup. My home-made diffuser was OK, but not quite good enough. One of the issues with using an on-camera flash for close-up/macro photography is that the direction of the flash is wrong, as the light mostly goes past the subject. The other issue is that light from a bare flash head is very directional and gives hard shadows and specular reflections. For shiny insects that’s not good lighting. The diffuser solves the problems by directing the light to the subject and…
-
Macro musings
I’m running a couple of Macro photography workshops for a local photographic club soon, so what better subject than that for today’s blog post? At the workshop I will demonstrate how everyday objects are perfect subjects for Macro images. Here’s an example of such an everyday object. It’s the hook part of a Velcro strap on a wrist support I was wearing. I used a head torch behind the Velcro as my light source and this gave a cool spotlight look to the image. To my mind there’s a bit of “Blade Runner” grime/abandonment to it. The direction that the light comes from makes a huge difference to images. This…
-
Up & Down or Side to Side?
In my “Movement in Photography” talk I mention the difference it makes to an ICM image if you move the camera in one direction, compared to moving it at right angles to that direction. Information at right angles to the direction of camera movement tends to get spread out, whereas information in the direction of camera movement is accentuated. Take these tree images as an example: In this first image I have moved the camera, (my mobile phone – 2 second exposure), in generally the same direction as the tree trunks. Although there is a bit of horizontal information, most of the image is of near-vertical shapes and textures. In…
-
Autumn Acer Abstracts
Recently I went to the fabulous Autumn Garden at Queenswood Country Park near Hereford. One feature of that part of the wood is the Japanese Maples. They were in full colour and looked fantastic. It was a sunshine and showers day, so there were lots of water droplets around. I had my Olympus macro lens on, so set my camera to manual focus and defocussed the image. I concentrated on a small part of a maple that had dissected leaves. The shapes and colours of the leaves, and the water droplet highlights, made for a very pleasing abstract composition. I had my trusty Huawei mobile with me and couldn’t resist…
-
It’s getting closer…
Blimey, it’s getting awfully close to Christmas again! One thing I did a couple of Christmases ago was to go to the Worcester Cathedral Christmas Tree Festival. There were loads of decorated trees in the Cathedral cloister. Some were from schools, some from charities and some from commercial organisations. Most were fab! Here I’ve used my mobile’s Silky Water mode, (yes, again!), and walked as fast as I could down the cloister. I had to wait till there weren’t too many people. I like the combination of warm orangey lights and cooler blue lights. This is rather closer to home; well, it’s actually at home. We had some Xmas lights…
-
5000 reasons to take pictures
Last year I went to the athletics at the excellently-run Commonwealth Games in Birmingham. They had some curious rules about the size of lenses that spectators could take in. No lenses longer than 12 inches were allowed. I’m guessing they were concerned about people using long telephoto lenses and taking close up images to sell to agencies. I use MFT cameras, so get longer telephoto “reach” with my smaller lenses. I contemplated taking my Olympus 40-150 f2.8 Pro lens with its 1.4x teleconverter, which is less than 12 inches long overall, but was a bit concerned someone would apply the spirit of the rule rather than the wording, so I…
-
Curses, foiled again!
Yesterday I fitted some foil insulation to the ceiling of our cellar. It’s a 200 year old house so yes, we have a cellar. The foil is to help stop the room above it being so cold. I popped the roll of foil down on the kitchen floor and it caught a ray of morning sunlight. I loved what the sunlight reflections from the foil did to the kitchen floor, so it was out with my phone to capture it. The rays look a bit like the rising sun. A touch of editing to taste in Snapseed and it was done. Whilst I had the phone out I tried a…
-
Bob Harris’s Shutter
I recently gave my “Movement in Photography” talk to the Facebook Camversation group. It was great to talk to about 100 photographers from around the world. One subject of my talk was the “Harris shutter”. It’s a technique developed by Bob Harris, a Kodak engineer, and involves taking a three exposures on one film frame using three coloured filters; red, green and blue, and with one exposure per filter. The idea is that where no movement has happened the colours come out normal, and where movement has happened you get red, green or blue colours appearing. You also get the additive colours where these primary colours overlap. It’s a fun…